Gunman / Run All Night




Rating : 5/10
Release Date : 27th March, 2015
Time : 115 minutes
Director : Pierre Morel; Writer : Don MacPherson, based on the novel by Jean-Patrick Manchette; Music : Marco Beltrami
Starring : Sean Penn, Jasmine Trinca, Javier Bardem, Ray Winstone, Idris Elba, Mark Rylance

Rating : 5/10
Release Date : 27th March, 2015
Time : 114 minutes
Director: Jaume Collet-Serra; Writer : Brad Ingelsby; Music : Junkie XL
Starring : Liam Neeson, Ed Harris, Joel Kinnaman, Boyd Holbrook, Bruce McGill, Genesis Rodriguez, Vincent D’Onofrio, Common, Aubrey Joseph






Two men try to protect loved ones. And themselves. From someone more powerful, in a position to do them great harm. And, in both cases, it’s a friend turned foe. One is directed by the director of Taken, while the other looks like his handiwork as well...



In Gunman, its Sean Penn, trying to protect former girlf-friend, Jasmine Trinca. Up against someone he thought was a friend. The setting is Democratic Republic of Congo, Africa. And then moves to London and Barcelona.



In Run All Night, its Liam Neeson, doing a very familiar turn, trying to protect his son, Joel Kinnaman and his family. From best friend turned enemy, Ed Harris. And the setting remains New York, for most parts the seedier side…






The ensemble cast is excellent in both – Javier Bardem, Ray Winstone, Mark Rylance and Idris Elba in the former. And Boyd Holbrook, Bruce McGill, Genesis Rodriguez, Common and Vincent D’Onofrio in the latter.



Both are variants of one man against the rest of the world. Very filmy. Very slick. Feature good action. But stretch credibility more than a little. While Gunman has very little by way of sentiment – its more impersonal in some ways, the greater enemy is large, anonymous and faceless – and its protagonist is a gun for hire trying to turn over a new leaf. Run All Night has much more in terms of human emotion – a father trying to win over an angry son, a hired killer struggling to cope with the advancing years and nightmares of his victims.



While the pace doesn’t really flag and the stunts don’t stop, it’s the predictability of both, the fact that we seem to be dealing with superheroes, just without a cape, that drags the overall film down. Both are watchable, but just about once…and perhaps on TV…
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