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Shaandaar



Rating : 3/10
Release Date : 22nd October, 2015
Time : 144 minutes
Director, Writer : Vikas Bahl; Co-Writers : Chaitally Parmar, Anvita Dutt; Music : Amit Trivedi;
Starring : Shahid Kapur; Alia Bhatt; Pankaj Kapur; Sushma Seth, Sanah, Sanjay Kapoor, Vikas Verma




This is a desperate attempt at cuteness

Frogs, an animation back story, dreams drawn on strips of paper, horses, damsels that need rescuing (or someone to make them sleep), glitzy sets, flying ladybugs, more abbreviations than in the Oxford dictionary, a cuddly kind of love, an unending supply of songs, Karan Johar, fireflies, Sindhi jokes rehashed, gold, a touching father-daughter relationship, imaginary cups of tea (with two cubes of sugar), fake moustaches and the gravelly voice of Naseeruddin Shah – everything is thrown at us in the vain hope that something sticks, something connects – anything to distract our attention from the fact that there is no story – and the only thing with real substance in the film is Sanah


Add to this potpourri, a dominating matriarch (Sushma Seth) – who has decided that Sanah, her grand-daughter (born to her son, Pankaj) will get married to a golden, glitzy, garish Sindhi family (headed by Sanjay Kapoor) - a kind of a business deal to save them from impending bankruptcy. The fact that Sanjay’s brother, the groom, Vikas, is a gym / protein shake obsessed, narcisstic idiot with eight (and a half) pack abs, and precious little else doesn’t make them think again. Nor does the fact that he so obviously doesn’t relish getting married to the slightly overweight but pretty, smart Sanah, make the entire clan even pause for thought.



Alia, meanwhile, is a poor, little, wee anath, brought home by Pankaj, against the wishes of his mom or his wife. Obviously, there is a predictable secret somewhere but no one really questions the otherwise jelly-in-front-of-his-mother Pankaj or dissuades him from doing so. Alia is an insomniac, reads a lot of books, is a trivia queen but like all good girls, is waiting for her prince to come and put her to sleep.


Enter Shahid. The wedding organizer in the rented mansion / hotel. Who also doubles up as lead dancer. He doesn’t hit it off with Pankaj. Does with Alia. And you can, pretty easily, fill in the rest of the blanks…


Alia and Sanah (Pankaj’s daughter in real life too) stole the show with their performances. Shahid and Pankaj tried just that teeny-weensy bit too hard. The rest hung around in the background for their two bit parts


This was an attempt at a fairy story. A kind of a reverse Sleeping Beauty – where an insomniac prince is needed to make the insomniac princess fall asleep – and learn to dream. Will work for you if you’re under 12. Or like songs. And big fat Indian weddings (pun intended). Or sets with twinkling lights, heart shapes and cuddly-wuddly stuff. But will stretch interminably and senselessly for all others. Vikas Bahl, after Queen, this Shaandaar failure ? Et tu ?!

Cinderella



Rating : 5/10
Release Date : 20th March, 2015
Time : 105 minutes
Director : Kenneth Branagh; Writer : Chris Weitz, based on the fairy story; Music : Patrick Doyle
Starring : Lily James, Cate Blanchett, Richard Madden, Derek Jacobi, Stellan Skarsgard, Nonso Anozie, Helena Bonham Carter, Ben Chaplin, Sophie McShera, Holliday Grainger, Hayley Atwell




This one failed as a live action film for me – for being too straight-forward a retelling of the fairy tale, without any of the whacky characters, the double-meaning jokes, or the fantastic layers that usually accompany Disney / Pixar films



This is simply the vanilla version of a classic. With quite a few girlie touches. A heroine, Lily James, who believes in the world not as it is but it should be. Who believes in magic. Who’s motto, given by her dying mother, Hayley, is “To have courage and to be kind”. Who strives to do the same even when Cate Blanchett, the step-mother, with her two dumb daughters, Sophie and Holliday, move in and treat her like a servant girl after her father, Ben Chaplin’s death, after they fire the staff, to economize.



There is something interesting at least about the Prince, Richard Madden, and the sub-plot about his struggle with his father, Derek Jacobi, the King around whom he should marry. Stellan Skarsgard, the Royal Duke, has some vested interests, while Nonso Anozie, a Captain, has the Prince’s best interests at heart. And then, one thing leads to another, there is the Royal Ball, Helena Bonham Carter makes a brief appearance as a fairy Godmother and all is as we know it…



The music is nothing to write home about either, though the sets are sumptuous and nice. This one is more for mothers and daughters, with an age limit of around twelve-thirteen for the latter. They make the fairy story come alive with great visuals but fail to add any other perspective or interpretation to the classic. Perhaps we’ve been spoilt with the earlier animated and live versions of the tales, but surely isn’t that what we expect from such films ?
 
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